The Martin 00 28 model has been in production, though not continuously, since 1898 and is a mid-sized guitar, between the 0 and 000 or OM body sizes. The ’00’ indicates the body size, while the ’28’ indicates the materials trim and decoration level. Like other ’28’ models, it pairs a Sitka Spruce top with Indian Rosewood for the back, sides and head plate, Mahogany for the body blocks and neck, and Ebony for the fingerboard and bridge.
14 Fret
Now discontinued, the Taylor 312 paired the relatively small Grand Concert body design with a shorter 24.875 inch (631.8mm) scale length for a compact, great sounding instrument. This is a fully acoustic model with no pickups. The Taylor 312 pairs a Sitka Spruce top with Sapele for the sides and back, and Mahogany is used for the body blocks and neck. The bridge and unbound fingerboard are Ebony, and the head plate is an Indian Rosewood overlay.
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MORE →The Boucher Studio Goose SG-52 uses the traditional square shoulder Dreadnought body design pioneered by Martin in the early 20th century, and which has dominated the acoustic guitar world since the 1950s. The very white, locally harvested AAAA grade Adirondack Red Spruce top, using a hand-scalloped forward shifted X brace system is paired with Indian Rosewood to provide warm, full tone. The neck is South American Mahogany, and Ebony is used for the headplate, fingerboard and bridge. Bindings are Maple with Herringbone purfling.
The Boucher Richard Bennett signature series model is based on the classic Dreadnought body, pairing an Adirondack Spruce top with Brazilian Mahogany for the body and neck. This combination provides a full tone with crisp sparkling highs and fast response. Decoration on the Richard Bennett model is minimal – it focuses on tone and performance.
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MORE →Sharing many features with the SG-21 and SG-41, the Boucher Studio Goose SG-51 features an Adirondack Spruce top but with Indian Rosewood back and sides. The Studio Goose SG-51 uses the OM Hybrid, or Orchestra Model body shape modified to work better with fingerstyle playing. The very white, locally harvested Adirondack Red Spruce top is paired with Indian Rosewood to provide warm, crisp tone . The neck is South American Mahogany, and Ebony is used for the headplate, fingerboard and bridge. Bindings are Maple with Herringbone purfling.
Here’s a lovely Taylor 712 from 1997, before pickups were stock, and it’s a very nice guitar for fingerstyle playing – well rounded with full, evenly balanced tone. The Taylor 712 in this form is no longer available. The 712 is now mostly presented as the Taylor 712 ce, for Cutaway Electric, and most often in 12-fret neck format, with slotted peghead. However, the construction has the same basis in the Grand Concert body, roughly equivalent to a Martin OOO body size. It features a Sitka Spruce top paired with Indian Rosewood for the back and sides, Mahogany for the body blocks, linings and neck, and Ebony for the bridge and bound fingerboard.
This instrument has sold
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