The PRS Standard appeared in 1987 as an evolutionary step and as a model rename from the 1985 PRS model, with carved top, all Mahogany construction except for the 1o inch radius, 25 inch scale Rosewood fingerboard. Until 1991, Brazilian Rosewood was used for fingerboards on this model. Here we’re looking at a PRS Standard, built during 1987 in Stevensville, Maryland and sporting a dark tobacco sunburst model, which transitions to a darker red on the back and neck.
Abalone
Showing strong influences from the classic American Slope Shouldered dreadnought line, the Eastman E10SS/V uses all solid woods and a very nice Antique Varnish finish. The earliest dreadnought guitars were built by Martin for the Oliver Ditson company during 1916, and used the round or slope shoulder format seen here; When Martin finally put the dreadnought into production in 1931, the upper bouts or shoulders were squared.
Here is a stunning jumbo body guitar ideal for stage performance – a Takamine Toby Keith, based on the EF250 he played for many years and is now a signature model. Drawing from classic Jumbo American guitars like the J-200 and F-500, the Takamine Toby Keith pairs a solid Sitka Spruce top with Flamed Maple for the cutaway, 17 inch wide body. The neck is Maple with Ebony used for the bound fingerboard, and Rosewood for the top-loading bridge. The inlays are Mother of Pearl and Abalone, with an Abalone ring at the rosette.
Here’s a lovely Gibson J185 Custom Quilt, one of a run of 65 instruments built with sides and back of a fantastic AAA grade Quilted Maple set. Gibson introduced the J-185 in 1951 and was built until 1958, and production resumed again with updated specs in 1990. During 1962, a new Everly Brothers J-180 was designed. Based on the J-185, that model featured an adjustable bridge, star inlays, and top and bottom pickguards, and that was built till 1972.
This instrument has sold
MORE →The Taylor 814ce DLX is a luxurious Grand Auditorium body shape which pairs a Sitka spruce top, Indian rosewood sides and back with Taylor’s patented V-Class bracing to reach new levels of tonal performance. One of Taylor’s most popular shapes, the Grand Auditorium body is a versatile general-purpose guitar. Its width is similar to a dreadnought but with a much curvier shape which changes the response and dynamics. It is equally well suited to fingerstyle or strumming so you can use it for many different styles.