The wood body National Reso-Phonic M-1 Cutaway Tricone blends the sound of a tricone with the warmth of wood, and has a lighter weight as a bonus.
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The National Reso Rocket Steel is one of National’s newly designed single cone guitars, incorporating a redesigned coverplate pattern to complement the distinctive Tricone-style grille work. The upper bout has been cut away for easier access to the higher frets.
Price: $4289 CAD
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National NRP B Series guitars replicate the classic 1930’s single cone, metal bodied resophonic models, especially the Duolian, and often carry painted finishes on the steel bodies.Steel body National Guitars are the loudest of the National Resophonic family of guitars. Brash, bright and clanky they are the epitome of the classic Delta Blues guitar.
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The National Resolectric Revolver is a hybrid instrument, combining a single cone resonator with both a Lollar P-90 and a Highlander undersaddle piezo pickup system on a thin body. The unmistakable tone and bark of a resophonic guitar are available in a compact, lightweight package that works on well amplified stages.The National Resolectric Revolver is similar to the National Resolectric – the difference is in the woods used.
Price: $2899 CAD
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The National Resophonic NRP-B 14 in wood body form has a warmer, sweeter tone than the metal body versions, but offers just as much volume and responsiveness. It’s also somewhat lighter at 5.5 pounds. The scale length is a comfortable 25 inches. The body is built of Maple laminate, with a slotted-headstock Mahogany neck and Ebony fingerboard.
Price: $2689 CAD
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The National ResoRocket is a great sounding cutaway resophonic guitar, and with the addition of a Hotplate resonator cover, it’s ready to go on the loudest stages or through any effects rig. The ResoRocket has all the tone of a National, and the visual charm of the Tri-Cone, but it’s a single cone model featuring the cutaway, ‘Bendaway’ steel body and Tri-cone style vents. The 12-fret neck is comfortable and
Price: $2900 CAD
This instrument has sold
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I came to Twelfth Fret with an all original 1967 Gretsch Chet Atkins Tennessean which I had purchased online. The guitar was barely playable, would not tune and was just a very expensive disappointment. After a consultation with Scott, he came up with a plan to see if this guitar could be brought back to life. After great communication, Scott put his skillful hand to work and gave me back one of the greatest guitars I have ever played!
