Here’s something rare – a Feiten Blues Pro in gloss red, from Buzz Feiten, player extrordinaire and creator of the Buzz Feiten tuning system. Built in 2015, this model is a very hot blues guitar.
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Dating to 1978 and built at the Jean Larrivee’s shop in Victoria, BC following his move from Toronto, Ontario, this Larrivee L-09 Steel String Acoustic Guitar is in overall good condition with moderate play wear. This version uses a Sitka Spruce top with Indian Rosewood back, sides and headplate, mahogany neck and ebony for the bridge and grained-ivoroid bound fingerboard. Tuners are Grover Imperial models, and the nut and saddle are bone. The scale length is 25.5 inches 04 647.7mm and the nut width is 1.73 inches or 44mm.
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The Larrivee OMV-09, now available only on special order, is based on a classic OM size body with a Venetian cutaway and 09 level trim and wood selection. The top is Sitka Spruce, the back, sides and headplate are Indian Rosewood and the neck mahogany with ebony for the fingerboard and bridge.
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The Larrivee L-09 uses a body design based on something Jean Larrivee knows very well – the proportions of the Hauser-style classical guitar. Larrivee’s LS body makes a more direct comparison, while the L body is larger; both take the proportions and adapt their structures for steel string guitars.
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The G&L ASAT Special, designed by the late Leo Fender and George Fullerton, is regarded by many as ‘Leo’s ultimate cutaway’, a natural evolution of the breakthrough Telecaster.
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The Tom Anderson Pro Am was a breakthrough guitar introduced in the late 1980’s, reacting to the popularity of the Strat with Humbucker and locking trem system trend. Built to order, the Anderson Pro Am was one of the first top quality ‘production’ models available.
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I came to Twelfth Fret with an all original 1967 Gretsch Chet Atkins Tennessean which I had purchased online. The guitar was barely playable, would not tune and was just a very expensive disappointment. After a consultation with Scott, he came up with a plan to see if this guitar could be brought back to life. After great communication, Scott put his skillful hand to work and gave me back one of the greatest guitars I have ever played!
I went from totally disappointed with this guitar, to it being one of my favorites. I don’t know how Scott did it, but unbelievable. Great communication throughout the process, incredibly skillful work, and most of all just a real desire on Scott’s behalf to bring this thing back to life as best he could. I went from having totally given up, to very boastful to own this guitar. Completely blown away.
Absolutely no hesitation bringing any future projections to Scott and the rest of the staff. Thank you so much!
