Based on the classic Spruce and Rosewood Dreadnought design, the Boucher Studio Goose SG-52 features an Adirondack Spruce top with Indian Rosewood back and sides.
Sharing many features with the SG-21 and SG-41, the Boucher Studio Goose SG-51 features an Adirondack Spruce top but with Indian Rosewood back and sides. The Studio Goose SG-51 uses the OM Hybrid, or Orchestra Model body shape modified to work better with fingerstyle playing. The very white, locally harvested Adirondack Red Spruce top is paired with Indian Rosewood to provide warm, crisp tone . The neck is South American Mahogany, and Ebony is used for the headplate, fingerboard and bridge. Bindings are Maple with Herringbone purfling.
The Gibson ES-175 archtop electric was in production from 1949 until 2017, because it does exactly what many jazz and rock guitarists needed it to do. Comfortable and reliable, the ES-175 delivers a rich tone and its laminate construction makes it feedback resistant, compared to carved solid top models. To that point, it did appear on large, higher volume rock stages, notably in the hands of Steve Howe of Yes. It was also a common choice for early rock and rockabilly artists.
The Boucher Richard Bennett signature series model is based on the classic Dreadnought body, pairing an Adirondack Spruce top with Brazilian Mahogany for the body and neck. This combination provides a full tone with crisp sparkling highs and fast response. Decoration on the Richard Bennett model is minimal – it focuses on tone and performance.
This Harrison GB Custom example features a carved Maple, F-hole top with ‘blister’ figuring on a Mahogany body, routed out to provide a fully hollow body. The neck uses three pieces of Mahogany, with a Macassar Ebony for the fingerboard, headplate, tailpiece and bridge. Binding is flamed Maple. Gotoh 510 21:1 ratio tuners with gold tinting provide smooth, accurate tuning. The hand built tailpiece is solid and designed to allow fast string changes. The frets are stainless steel, which significantly reduces the rate of fret wear.
Built from 1918 to 1935, the C F Martin 0-18K is a small body Koa wood guitar intended for Hawaiian music, which was very popular at the time. Another very similar version, the 0-18KH (for Hawaiian) was built between 1927 and 1928. Based on the proven ‘parlor’ size 0 body, the 0-18K used Koa for the top, sides and back, Mahogany for the neck with an unbound Ebony fingerboard and Ebony bridge. At the time this example was built – likely around November 1930, given the serial number – straight Bar frets were still used.
 |
 |
 |
 |
 |
I came to Twelfth Fret with an all original 1967 Gretsch Chet Atkins Tennessean which I had purchased online. The guitar was barely playable, would not tune and was just a very expensive disappointment. After a consultation with Scott, he came up with a plan to see if this guitar could be brought back to life. After great communication, Scott put his skillful hand to work and gave me back one of the greatest guitars I have ever played!
I went from totally disappointed with this guitar, to it being one of my favorites. I don’t know how Scott did it, but unbelievable. Great communication throughout the process, incredibly skillful work, and most of all just a real desire on Scott’s behalf to bring this thing back to life as best he could. I went from having totally given up, to very boastful to own this guitar. Completely blown away.
Absolutely no hesitation bringing any future projections to Scott and the rest of the staff. Thank you so much!
