This is something special – a Masaru Kohno Special Brazilian Rosewood guitar, at or near the top of his line. The ‘Special’ model was originally named the ‘No.50’ and its bridge has a distinctive forward sweep. Signed by M. Kohno and dated to 1990, this well preserved professional grade instrument features a seven-fan European Spruce top paired with Brazilian Rosewood for the sides, back, heel cap, head plate and bridge.
Flamenco
The Ramirez 1a or Tradicional, seen here with a Spruce top, has for been a benchmark of top quality classical and flamenco guitars for over half a century. The 1a designation technically refers to the quality of the materials and workmanship, but has become associated with the Tradicional model.
The Ramirez Model 1a Tradicional, seen here with a Red Cedar top, has been a benchmark of top quality classical and flamenco guitars for over half a century. The 1a designation technically refers to the quality of the materials and workmanship, but has become associated with the Tradicional model.
Here we have a William Laskin Cedar Top classical guitar, built during 1992 and featuring the Laskin Arm Rest, 655mm scale length and very nice Indian Rosewood sides and back.
Built in the traditional Spanish style with a slipper heel integrating the body and neck, this William Laskin Cedar Top classical is in good condition.
This instrument has sold
MORE →The Alhambra Menguel & Margarit Series C Concert Classical Guitar, built by master luthiers Jose Menguel and Javier Margarit, feature lattice braced tops and French Polish finish, with the highest quality materials used throughout.
Here is an historic piece – one of Lenny Breau’s Ramirez 1a Flamenco Guitars, built during 1961 and used during many appearances with Lenny as seen in the attached clips. The first clip is from is a CBC documentary from 1968 with Lenny playing the guitar with its distinctive friction tuners, and the visible, protective tap plates (Golpeador). Note the technical deviation from ‘strictly traditional’ Flamenco style – the use of a thumbpick, very likely a Chet Atkins influence.