The Gretsch ’59 Silver Jet is a very cool guitar, with all the late-50’s trappings – Bigsby, TV Jones Classic Filter’Tron based pickups, and a standout silver sparkle finish! The Gretsch Jet is an under-rated guitar, but has appeared on many hit recordings. Chet Atkins used one on many classic recordings, and the first few Beatles albums feature George Harrison with his Jet.
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The new Gretsch G5622T Electromatic® Center Block Double-Cut with Bigsby® in a Georgia Green metallic finish, sporting Super Hilo’Tron™ pickups features a chambered spruce center block for dynamic resonance, high gain power and lightweight comfort. As part of the Electromatic line, the Gretsch G5622T is built in Korea by Samick, with great results. The build quality, fit and finish and fretwork are all top notch.
Here, we have a Gretsch Tennessee Rose G6119T model with a pair of Filter ‘Trons, built at the Japan Terada plant in Nagoya during 2006. It’s in great condition, with light wear and one small ding in the headstock. The pickup covers and rocking bar bridge are showing some light oxidization, which make the guitar look vintage. It’s built with the laminate maple, arched top, sealed ElectroTone body.
This Gretsch G6112TCB-WF Limited Edition Falcon Jr. in Vintage White, is a great little guitar and is a new model. Blending influences from three sources – the classic Gretsch White Falcon, the Jet body design, and the new Gretsch Players models. Aside from being very flashy, this is a great playing and sounding guitar.
Every once in a while, something built as a promotional item for an industry trade show really takes off, gets more intention than expected and is put into production. This was the case with the 1954 Gretsch White Falcon, intended to show off the elegance and quality of the Gretsch electric archtop line at the 1954 NAMM trade show in California.
Gretsch Clipper 6186 Archtop Electric Sunburst, 1958
This instrument has sold
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The Gretsch 6120 Chet Atkins appeared in 1954 as a 16 inch wide 2.75 inch deep, single cutaway double pickup model, but for 1962 the new closed ElectroTone body provided a second cutaway shallower depth at 2.25 inches and faux F-Holes.
