The Gretsch White Penguin 58 Reissue, officially model G6134, re-creates the 1958 Bigsby-equipped version of the Jet-based Penguin. The White Penguin was created in response to the Gretsch White Falcon, itself created as a showpiece for the 1954 NAMM show and not intended for production.
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The Gretsch 57 Duo Jet VS (Vintage Select) with Bigsby sports a Cadillac Green finish and gold plated hardware, reflecting 1957 design choices. Dating to March of 2000, this Gretsch 57 Duo Jet is in great shape with very little actual wear. There is slight oxidization in wear areas of the plating – particularly the arm rest and Bigsby handle, but virtually no fret wear.
Always tasteful and visually restrained, the Gretsch G6129 Silver Sparkle Jet first appeared in 1954 as an answer to the Les Paul model. While there are some immediately apparent visual similarities – the single cutaway body of Mahogany with a Maple cap – underneath there were significant differences. From 1954, the original Gretsch Jet models started with a Maple body, routed to provide a number of chambers for resonance and weight relief.
Designed by Duke Kramer and Chet Atkins in 1976 and launched in 1977, the Gretsch Atkins Super Axe model 7680 was built under Baldwin ownership in DeQueen Arkansas, and available with and without built-in effects. These models went out of production in 1980.
This Gretsch 7655, a Chet Atkins Tennessean in a shaded cherry finish, dates to October of 1974 and appears to be in very good, clean and original condition. This guitar is from the Baldwin era and was built in Booneville, Arkansas. In 1958, Gretsch launched the original Tennessean as model 6119, placing it below their very popular 6120 Chet Atkins model. The ElectroTone (sealed) single-cutaway body was thinner, and at first it had one Filter ‘Tron in the bridge position.
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MORE →The Gretsch Malcolm Young Signature Jet is really something special, based on a 1963 G6131 Jet Firebird with the modifications the late Young made over the years. That guitar can be heard in Malcolm’s hands on almost all of AC/DC’s albums delivering an unmistakable sound.
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