Here is a Halcyon Grand Auditorium Cutaway with a Lutz Spruce top and figured Walnut for the sides, back, body binding and head plate, and built by Ed Bond in East Vancouver around 2020. Aside from the Lutz Spruce and Figured Walnut, the body blocks and neck are Mahogany, with Ebony for the fingerboard and bridge.
Guitar Shop
Created for the folk boom of the early 1960’s, the Gibson FJN Folksinger Jumbo Natural Finish has a few differences from Gibson’s regular dreadnoughts. While it uses the Jumbo body size found on guitars like the SJ, the FJN has a wide 12-fret neck – the nut is nearly 2 inches wide – and is braced for nylon, Silk & Steel, or very light steel strings. Interest in the FJN faded with the folk boom, and by 1967 the FJN was taken out of production.
Here we’re looking at a Gibson S1 built in Nashville TN, with a date of April 19 1978. This guitar is built exclusively of Maple, used for the three-piece body, three-piece neck, and fingerboard. This example is in largely original condition, except for the bridge pickup. Some time ago, the original single coil was removed, put in the case, and replaced with what looks like a Duncan Hot Rails.
Here we have a Gibson J185 Original Jumbo bodied steel string in Antique Natural finish, built during 2005 at the Gibson Acoustic plant in Bozeman, Montana. The J-185 is a very good but likely under-appreciated guitar, being overshadowed by the better known and slightly larger J-200. The Gibson J185 and J200 have many similarities and the key differences are not always seen at first glance. Both feature the Jumbo body shape, Sitka Spruce top with Figured Maple for the sides and back, and Rosewood for the fingerboard and bridge.
The Godin 5th Avenue archtop model was introduced at the 2008 NAMM show, it was a surprise hit given that this type of guitar has been seen on fewer stages since the early 1960s. Since then, the 5th Avenue has been seen in a number of variations with different pickup configurations, with and without Bigsby True Vibrato tailpieces, with and without cutaways, and in a host of finishes. Seen here is the Godin 5th Avenue Edition Speciale PT sporting an Indigo Blue finish.
This Fender 62 Reissue Jazz Bass Sunburst was built during 1982 in Fullerton, California and looking like it was used as intended. With a neck date of April 1982, this Fender 62 Reissue Jazz Bass is an early effort to capture the original style of the Jazz Bass. The original models were introduced in 1960 as an attempt to capture the rest of the professional bass player market that hadn’t migrated to the Precision Bass.