The Alhambra 10FP Carlos Pinana Flamenco Negra guitar, a recent model from Alhambra guitars in the eastern part of Spain. Many contemporary Flamenco players find they need a guitar that offers a fuller and rounder bass response, as well as the traditional treble-clarity and power one expects in a traditional Flamenco guitar. To this end we have seen an increasing number of Flamenco Guitars built with dark coloured Rosewood back and sides, commonly called Flamenco Negra guitars.
Indian Rosewood
The Cole Clark Violap is based on the classic Weissenborn steel guitar body shape, but built as a semi-hollow for amplified use without feedback. The concept is similar to the thinline Gibson ES-335 series, with a solid center block in an arched-top body. Cole Clark was founded in 2001 by Adam Cole and Bradley Clark in Melbourne Australia, and focuses on building quality instruments using sustainably harvested tone woods mostly native to Australia.
This instrument has sold
MORE →This William Laskin 12-String seems strongly influenced by the Larrivee body design, which in turn is based on the proportions of classical guitars by Hermann Hauser. These proportions provide a full, well balanced tone with plenty of volume. This piece uses a Sitka Spruce top and Indian Rosewood for the sides, three-piece back, and the headstock overlay that carries the Canada Goose inlay. The neck is mahogany, and the bound fingerboard and bridge are Ebony.
This instrument has sold
MORE →This very nicely built Olivo Chiliquinga Requinto Guitar was built in Toronto, Canada during 1982 by Olivo Chiliquinga at his Olivo Guitar Company workshop. It is constructed with a Cedar top, Indian Rosewood for the back, sides, headplate and bridge, mahogany for the neck and ebony for the fingerboard. The tuners are quality Schaller models, gold-coloured with faux pearl buttons. It also sports a set of the original Twelfth Fret bridge transducer pickups, mounted to an end-pin jack. This wonderful instrument plays well and is in overall good condition, with a few small marks on the top and back acquired over the last 36 years. A hard shell case, possibly the original, is included and is in working order.
This instrument has sold
MORE →Here we have an Albert J Litto 7 Course Renaissance Lute, built during 1965 in Kenmore, New York. This lovely Renaissance lute demonstrates many traditional construction techniques. The bowl back is composed of flamed maple ribs, bent and joined. Inside the bowl, the ribs are sealed with parchment tape, made wet to induce expansion, then coated with hide glue. The water on the inside forces the ribs to curve from side to side, and the hardening glue keeps them in this shape.
This instrument has sold
MORE →Edgar Monch was one of the more important classical guitar builders from Munich, the other being Hermann Hauser. Monch lived for some time in Toronto where he was also a highly influential teacher for many 1960’s and 1970’s Canadian luthiers including Jean Larrivee. This Edgar Monch Classical Guitar is built in the traditional Spanish ‘slipper heel’ design, with the sides tied into the neck block. The top is Spruce, the sides, back, headplate and bridge are Indian Rosewood. The neck is Mahogany with an Ebony fingerboard.
This instrument has sold
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