The Gibson Les Paul Traditional is based on Les Paul models from the 1980s and 1990’s rather than the 1950’s and uses top grade figured woods. It still uses the pattern of carved maple top on a mahogany back, wuth a mahogany neck and bound rosewood fingerboard.
Today we’re starting off with something very special – a Gibson ES-345TD in cherry, built during 1960 and used extensively by the late Domenic Troiano on countless sessions and performances with the Guess Who and Domenic Troiano Band.
The Gibson Midtown appeared in late 2011 and was ultimately available in three versions – the Standard, Custom, and Standard P-90. It’s a chambered, F-Hole double cutaway design, but with a flat top and back. It also has a slightly tapered headstock, unusual for Gibson models. Here we’re looking at an early production Gibson Midtown Standard in Cherry Red finish. Its serial number dates it to October 28th, 2011 and construction at the Gibson shop in Nashville, Tennessee.
Appearing in 2015, the Gibson Les Paul Less Plus, or Less +, features a shallow, weight-relieved and contoured version of the classic Les Paul body construction.
Regarded as a workhorse guitar since 1942 when it replaced the natural top J-35, the slope-shouldered Gibson J-45 has been used by countless artists in innumberable performances.
The Gibson L-48 archtop acoustic steel string guitar was built from 1946 to 1971, and was intended as a lower cost, basic and straightforward guitar. Many early examples do have solid Spruce tops, while the sides and back are a mixture of Mahogany and Maple laminates.
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I came to Twelfth Fret with an all original 1967 Gretsch Chet Atkins Tennessean which I had purchased online. The guitar was barely playable, would not tune and was just a very expensive disappointment. After a consultation with Scott, he came up with a plan to see if this guitar could be brought back to life. After great communication, Scott put his skillful hand to work and gave me back one of the greatest guitars I have ever played!
I went from totally disappointed with this guitar, to it being one of my favorites. I don’t know how Scott did it, but unbelievable. Great communication throughout the process, incredibly skillful work, and most of all just a real desire on Scott’s behalf to bring this thing back to life as best he could. I went from having totally given up, to very boastful to own this guitar. Completely blown away.
Absolutely no hesitation bringing any future projections to Scott and the rest of the staff. Thank you so much!
