The Larrivee 000-60 is a traditional style acoustic guitar, featuring a ‘Triple O’ body size, paired with a 12-fret, slotted peghead neck. The sides and back are Indian Rosewood and the top Sitka Spruce, the neck mahogany with bound Ebony fingerboard, and ebony ‘pyramid’ style bridge.
The Larrivee J-05-12 follows the successful Jumbo 12-string design, used to great success by Guild and based on the Gibson super jumbo body originating in the late 1930s. This example dates to July 8, 1996 and was built in Victoria, British Columbia. The model number identifies it as a J body – Jumbo – in 05 trim, with Sitka Spruce top and Mahogany back and sides.
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This example of the Larrivee OM-60 SH dates to January 14, 2005 and was built at the Larrivee shop in Oxnard, California. It is in good shape, but it has been used as intended and over the years has required some repairs. There are two repaired and cleated cracks in the top. There is a bit of finish chipping and marking, mostly around the edges. Fret wear is moderate, and mostly in the lower positions. However, it plays very well and sounds great.
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he Larrivee SD-60 is influenced by early Dreadnought designs, which date as far back as 1916. The earliest Dreadnought body guitars appeared around 1916 and were built by Martin for the Ditson company. The Martin-Ditson Dreadnought body style tends to be long with a wide waist. It has developed into the Dreadnought, the single most used body style in the world. The original Ditson dreadnoughts had many of the features found here on the Larrivee SD-60.
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Here’s a historical piece – a Larrivee classical guitar, built during 1969 in Toronto when John Larrivee was studying with Edgar Monch. This is one of Larrivee’s very first guitars, as evidenced by the label. The very first labels were hand typeset, and had two spelling errors, in the first and last names!
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The Larrivee L-09, based on the classically influenced L-body series, features a Sitka Spruce top paired with Indian Rosewood back and sides. The L series first appeared in the 1980’s and the balanced body shows the clear influence of classical builders, like Edgar Monch, that Larrivee was exposed to during his early days in Toronto.
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