The Eastman DT30OM is the second model in Eastman’s new Double Top line, bringing high end classical guitar technology to the steel string world – here in a classic Orchestra Model body design. The double top concept aims to allow a very thin, light and responsive top but with superior strength and stiffness. Here, thin layers of Sitka Spruce are bonded to a honeycomb Nomex core. Nomex is a Kevlar polymer and helps provide significant improvements in stiffness to weight ratios.
Made In China
Here is an Eastman SB55DC /V Solidbody in Vintage Varnish! This definitely evokes the mid 1950’s slab bodied models, and with top quality hardware. Introduced in mid 2020 and now making its way to us, the Eastman SB55DC /V features a slab body and neck of lightweight Okoume Mahogany, sourced from Gabon, Central Africa. The fingerboard, head plate and truss rod cover are Ebony, and that’s it for woods used.
The new Eastman Romeo is a thinline archtop electric designed by Otto D’Ambrosio and features a solid Spruce top on laminated Mahogany sides and back for feedback resistance. Introduced during 2020 but in short supply due to COVID effects, the Eastman Romeo has an almost fully hollow body, but with a Mahogany block from the tail to the bridge. This block provides the necessary support for the bridge and stop tailpiece supports. The top is carved, solid Spruce and the back and sides are formed, layered Mahogany. The neck is Mahogany, with a bound Ebony fingerboard and Mother of Pearl dot position markers.
The Eastman E10 OOSSV has a big sound for a small body and super cool vintage vibe with its antique varnish finish. This body shape is very compact and comfortable with its curvy waist and 14 ¾” lower bout. It sits tight to the body when in a seated position and your strumming arm remains at a very comfortable angle which will allow you to enjoy this guitar for hours of play time. Tonal production on the Eastman E10 OOSSV is provided by the lovely wood pairing of Adirondack spruce and mahogany along with the hand carved scalloped x braces on the top. Adirondack spruce has loads of clarity and a high ceiling of volume.
Though unequivocally drawn from the classic Les Paul design and in particular the most desirable 1959 models, the Eastman SB59V is not a slavish copy. Many visual differences are clear, including the shapes of the headstock and cutaway. The body is constructed of a carved, Flame maple top laminated to a one-piece Mahogany slab body. A Mahogany neck with a bound Ebony fingerboard is attached via a longish tenon joint. The neck has a vintage style ‘V’ profile.
The Eastman T59 V is a take on one of the most successful and influential of Ted McCarty’s innovations, the thinline, semi-hollow archtop electric guitar. Around 1957, Gibson was looking to update its product line to address a number of issues, one of which was the rise in amplified stage volumes causing feedback. While the engineering team is credited with most of the design, it was apparently president Ted McCarty’s idea to put a solid Maple block through the center of the guitar.