The Gibson Les Paul Standard Cherryburst, named as the Standard, didn’t appear until 1960 but in its sunburst form dates to 1958 and the move away from the Goldtop finish.
One of the workhorse guitars for almost all genres, the Gibson Les Paul Standard can also be spectacularly attractive in a combination of bookmatched flame maple and sunburst.
Built in Montreal, the Paquet Esperanto 18 Archtop guitar is a full size, hand carved top and back model with large soundholes in the upper bouts.
Here’s a cool new bass from Fender’s Player Series – the Fender Player Jaguar Bass. It’s built in Corona, Mexico and is affordably priced new take on a P-J bass with an offset body!
This new design starts with proven principles that deliver reliability and tonal versatility. A one-piece Maple neck is paired with an offset Alder body, and a P-J pickup set – that’s a Precision Bass style pickup, with a Jazz Bass bridge pickup with individual volume and master tone controls- handles the electronics. A fully adjustable Fender bridge and open-gear tuners complete the hardware.
The Gibson Dove Custom Acacia Amber Burst was introduced as a limited edition model, using AA grade Sitka Spruce for the top, Acacia for the back and sides, and Maple for the 3-piece neck. The fingerboard and bridge are Indian Rosewood. An L R Baggs VTS system is factory standard, and the hardware is gold plated.
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I came to Twelfth Fret with an all original 1967 Gretsch Chet Atkins Tennessean which I had purchased online. The guitar was barely playable, would not tune and was just a very expensive disappointment. After a consultation with Scott, he came up with a plan to see if this guitar could be brought back to life. After great communication, Scott put his skillful hand to work and gave me back one of the greatest guitars I have ever played!
I went from totally disappointed with this guitar, to it being one of my favorites. I don’t know how Scott did it, but unbelievable. Great communication throughout the process, incredibly skillful work, and most of all just a real desire on Scott’s behalf to bring this thing back to life as best he could. I went from having totally given up, to very boastful to own this guitar. Completely blown away.
Absolutely no hesitation bringing any future projections to Scott and the rest of the staff. Thank you so much!
