Here is an excellent Epiphone Elitist ES-335 /NA in Natural finish, built during 2006 at the Terada plant in Nagoya, Japan. This is the same plant that builds many pro-line guitars, including Gretsch models, and this guitar illustrates the quality of their work. The Epiphone Elitist ES-335 is based on an early 1960’s Gibson ES-335 with dot position markers, but it is not an exact copy.
Mother Of Pearl
Here we’re looking at a Gibson Style A ‘Snakehead’ Black-top mandolin in A-1 trim from 1927 in overall good and largely original condition. The ‘Snakehead’ term refers to the tapered headstock, an innovation by Lloyd Loar that reduced string friction at the nut. ‘Snakehead’ models were built from 1923 to 1927.
Shown here is an original condition Gibson SG Standard with optional Bigsby from 1973, in Walnut finish and originally sold at Mamelok LTD in Manchester, England, which closed in 1993. The Gibson SG Standard launched with the SG name in 1963, but really first appeared in 1961 as a radical redesign of the Les Paul model.
The Gibson Les Paul Pro Deluxe was built from 1978 to 1982 and blended features of several previous Les Paul models. Based on the Les Paul Deluxe, the Pro Deluxe had P-90’s in place of mini-humbuckers, a Maple neck and Ebony fingerboard with trapezoidal position markers.
Introduced in 2003 and built at the Nashville Tennessee shop, the Gibson Les Paul Supreme is a high-end take on the classic design and features carved, highly figured Maple top and back. The construction of the Gibson Les Paul Supreme differs from the standard Les Paul though it uses the same basic materials as the Les Paul Custom. The carved top and back set are bookmatched, highly flamed Maple, on either side of a chambered Mahogany core
Here’s a Gibson Les Paul Standard Cherry Sunburst dating to October 22, 1980, sporting a Cherry Sunburst finish and a non-weight relieved, non-pancake body! The Les Paul model was introduced in 1952 as Gibson’s entry into the then-new solidbody ‘Spanish’ electric guitar field, where ‘Spanish’ refers to the way the guitar is held.