Introduced in late 2001 and built until 2010, the Gibson CS336 is based on a scaled-down ES-335, but there are some significant differences. The body blends a carved, two piece solid Maple top with a solid piece of Mahogany, shaped and routed to provide the inner resonant chambers and the solid center block. In the ES-335 design, the top, sides and back are built traditionally using Maple laminate, with a solid Maple center block added. On this model, the bound fingerboard is Indian Rosewood with dot position markers.
Nickel Plate
The Gibson Memphis ES330 VOS model is now discontinued, along with the Memphis plant, but is a great re-creation of a late 1950’s ES-330. Introduced in 1959, the ES-330 took visual cues from the new and very successful ES-335, but is uses a fully hollow body without a solid center block. A pair of under-wound P-90s provide great tone. Until about 1963, the ES330 and its cousin the Epiphone Casino set the neck joint at the 16th fret but subsequently the joint was shifted to the 19th fret, allowing easier access to higher frets.
The Beltona T105 Tricone was one of the early products of Beltona, founded in the UK by Steve Evans and Bill Johnson in 1990. Respectively a luthier and engineer, Evans and Johnson first sought to build instruments for themselves that were, at the time, not readily available in the UK. In 1998, Beltona moved to New Zealand,
Built in San Luis Obispo California, the National Revolver Resolectric blends the resophonic and solidbody electric guitar concepts,to great success.Very similar in design to the ResoLectric, the National Revolver uses a solid Mahogany body that’s routed for the resonator and electric pickups, and a bolt-on Mahogany neck with Rosewood fingerboard. The headplate is a faux pearl covering.
Here is something new, rare and wonderful – a brand-new Scheerhorn L-Body Flame Maple Squareneck Resophonic Guitar, built under license by National Resophonic Guitars in San Luis Obispo, California. In 1989, Tim Scheerhorn showed Mike Aldridge his first experimental squareneck and by the end of 1990 Scheerhorn guitars were in the hands of many top pro players and Tim already had a long waiting list. The Dobro guitar construction style had stayed static since the 1930s with virtually no design changes.
Here we’re looking at a Tim Scheerhorn L Body Koa square neck resophonic guitar, signed and dated – in two places! – by Tim Scheerhorn himself. The label, visible through the bass sound hole, lists a build date of 11/22/08, or November 22 2008, and bears Tim Scheerhorn’s signature. Those same pieces of information – the date and the signature – are also hand written on the inside of the back.
This instrument has sold
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