Built from 1996 to 2009, the PRS Swamp Ash Special features a solid Swamp Ash body with the trademark PRS contouring, a 22-fret bolt on neck and a center single coil pickup.
The PRS Standard 24 model was introduced in 1998 and built till 2009, and was based on the very successful original PRS design, with a solid Mahogany body and Rosewood fingerboard. This example dates to 1995 and is in good original condition. Fretwear is minimal and while there are a few small dents and scratches, overall the finish is in good shape. The PRS contouring and carving makes for a very comfortable, well balanced guitar.
The PRS DGT David Grissom Trem model starts with the basic McCarty design, but alters the neck shape, pickups, and control layout, adds higher frets, and carries a vintage style trem bridge. It uses the proven formula of a carved Maple cap on a mahogany body, mahogany neck, and rosewood fingerboard. This model was introduced in 2007. Here we’re looking at a PRS DGT model built during 2013 at the PRS shop in Stevensville, Maryland, with a lovely honey burst finish. This guitar is in overall good condition with a few small dings, minor fretwear and minor play wear.
This PRS 513 dates to 2008 and is in very good original condition. The 513 is very similar to both the Standard 22 and Custom 22, but offers a very different pickup configuration. The 513 name indicates the number of pickups, and combinations! There are two separate pickup selectors. The first is a standard 5-way switch, and the other selects the coil configuration – Heavy Humbucker, Clear Humbucker, and Single Coil.
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The PRS McCarty appeared in 1994 and is a tribute to Ted McCarty, president of Gibson from 1950 to 1966, one of its most innovative periods. Paul Reed Smith hired McCarty as a consultant in the late 1980’s and had a strong influence on modern PRS design and production.
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This beautiful PRS Custom 22 Limited dates to 2008, and has a spectacularly quilted cherry wood 10 top.
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I came to Twelfth Fret with an all original 1967 Gretsch Chet Atkins Tennessean which I had purchased online. The guitar was barely playable, would not tune and was just a very expensive disappointment. After a consultation with Scott, he came up with a plan to see if this guitar could be brought back to life. After great communication, Scott put his skillful hand to work and gave me back one of the greatest guitars I have ever played!
I went from totally disappointed with this guitar, to it being one of my favorites. I don’t know how Scott did it, but unbelievable. Great communication throughout the process, incredibly skillful work, and most of all just a real desire on Scott’s behalf to bring this thing back to life as best he could. I went from having totally given up, to very boastful to own this guitar. Completely blown away.
Absolutely no hesitation bringing any future projections to Scott and the rest of the staff. Thank you so much!
