The Harrison GB Custom has become a very successful instrument for jazz guitarists, and was developed with the late Gary Benson, a prominent Toronto player and teacher. This Harrison GB Custom features a Quilted Maple cap on a chambered Mahogany body and a Mahogany neck with a Maple-bound Ebony fingerboard fitted with Stainless Steel frets. The custom built tailpiece is also Ebony.
Quilted Maple
The Gibson J185 12 String was built in Bozeman Montana from 2001 to 2004 and as the name suggests puts the classic J-185 into a 12 string configuration. The J-185 model was originally built from 1951 to 1959 and featured a smaller body than the J-200, but also used Maple sides and back with Sitka Spruce top. The neck is Mahogany with Rosewood used for the bridge and bound fingerboard.
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MORE →Here’s a lovely Gibson J185 Custom Quilt, one of a run of 65 instruments built with sides and back of a fantastic AAA grade Quilted Maple set. Gibson introduced the J-185 in 1951 and was built until 1958, and production resumed again with updated specs in 1990. During 1962, a new Everly Brothers J-180 was designed. Based on the J-185, that model featured an adjustable bridge, star inlays, and top and bottom pickguards, and that was built till 1972.
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MORE →The Collings SoCo LC draws from the classic thinline archtop electric designs pioneered by Gibson in the late 1950s, proven through decades of professional use.
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MORE →The Collings SoCo Deluxe is an extremely well crafted take on the semi-solid, thinline archtop guitar concept that dates back to the 1958 introduction of the ES-335.The SoCo Deluxe is built with a carved, quilted Maple top on a carved Mahogany back, Mahogany sides and neck and a bound Ebony fingerboard. Mother of Pearl is used for the split-parallelogram and Collings logo inlays.
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MORE →Introduced in 2001, the Dean HardTail is one of the less common Dean models. Not as wild as some of Dean Zelinsky’s designs, the HardTail is a straight ahead but classy guitar. Dean Zelinsky founded his company in 1976 in Chicago, Illinois and began producing guitars using inventive and radical shapes. THese often drew on designs such as the Explorer and Flying V, but only as a starting point; they were much more visually arresting in terms of shapes and finishes. Dean guitars quickly became popular with major acts on the world’s largest stages.
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