From 2005, here’s a Gibson SG Standard in Ebony Black, with the classic ‘Batwing’ pickguard and recently set up at The Twelfth Fret Repair shop. This example dates to March 8, 2005 and wwas built at Gibson Nashville.
This instrument has sold
MORE →From 2005, here’s a Gibson SG Standard in Ebony Black, with the classic ‘Batwing’ pickguard and recently set up at The Twelfth Fret Repair shop. This example dates to March 8, 2005 and wwas built at Gibson Nashville.
This instrument has sold
MORE →Here we’re looking at a Fender MusicMaster in Red finish, built during 1975 in Fullerton, California during the era of CBS ownership. This 24 inch scale length example is in good, complete condition and has some dents and finish wear expected after 48 years. This very cool guitar plays well looks great and sounds good. The 24 inch scale doesn’t feel very short – it is also the same scale length as the considerably more elaborate Fender Jaguar.
This instrument has sold
MORE →This Gibson ES-335 TD dates to 1966, and was originally purchased at Manny’s Music in New York City, and the Bigsby B7 added in 1969. From 1974 it was used by the Canadian Creative Music Collective and is a part of Canadian music history. When introduced in the spring of 1958, the Gibson ES-335 TD was revolutionary.
This instrument has sold
MORE →First introduced in 1958 to mark their 75th anniversary, the two-pickup Gretsch 6118 Double Anniversary was also available with one pickup, as the Anniversary. Using most of the same jigs, fixtures and design as the higher-priced 6120 models, the Gretsch 6118 Double Anniversary features a fully hollow, tone-bar braced laminate Maple body and Maple neck with bound Indian Rosewood fingerboard.
This instrument has sold
MORE →The Gibson RB-250 Mastertone was the working-musician’s banjo for decades and offers that classic Gibson sound with the “Snap” to the treble attack that only Gibsons have. This is essentially the same banjo as the famous Gibson RB-3 without the Wreath inlay.
This instrument has sold
MORE →The Guild CE-100 – the Capri – was a very successful model for the company, produced from 1956 to 1984, in one and two pickup versions. A fully hollow, laminate body, single Florentine cutaway archtop model rather like the ES-175, the 1956 Guild CE-100 first had a single Franz single coil pickup in the neck position.
This instrument has sold
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