The Fender Reclaimed Redwood Stratocaster is one of the more unusual guitars to come from Fender in recent times, and is built with old-growth Redwood from a decommissioned bridge in Bakersfield, California.
This instrument has sold
MORE →The Fender Reclaimed Redwood Stratocaster is one of the more unusual guitars to come from Fender in recent times, and is built with old-growth Redwood from a decommissioned bridge in Bakersfield, California.
This instrument has sold
MORE →Part of the Recording Series, the Larrivee OM 03R draws from the classic Orchestra Model design introduced in the early 1930s to aid the great shift to guitar by banjo players. The Larrivee OM 03R is built using traditional materials including a Sitka Spruce top with Herringbone purfling and rosette, Indian Rosewood for the back sides and head plate, Mahogany for the body blocks and neck, with Ebony for the bridge and bound fingerboard. The body binding is Maple while, in this period, the fingerboard binding is grained ivoroid. The finish is natural satin.
This instrument has sold
MORE →The C.F. Martin 00-15M model continues the Martin tradition with a 00-14 fret body size, solid all-mahogany construction and a rich satin finish. The Martin 00 body design dates back to 1898 and has been used continually since then. The Martin 00-15M model was introduced in 2009, but Martin has built many mahogany topped guitars in the past, including the 000-18M. Martin’s 15 Series delivers elegant simplicity – a high quality but simply appointed instrument at an affordable price.
The Taylor 517e Builder’s Edition uses of the company’s newest body shapes, the Grand Pacific. This is a round shoulder dreadnought design, paired with Taylor’s new V class bracing system. This marks a new sound for Taylor guitars inspired by classic acoustic guitar recordings and the sonic improvements of their V class bracing. The tone is warm with powerful clear bass and round full notes that smoothly blend together to create a unified harmonic voice.
The Collings MT A Style mandolin is the entry point for Collings mandolins, and its lack of decoration doesn’t hide the quality of the instrument or the care with which it was built. The A Style mandolin appeared in the closing days of the 19th century as part of Orville Gibson’s revolutionary introduction of violin making principles to mandolin construction. The results were such a dramatic improvement that the centuries old European bowl-back design almost died out in short order.