Always tasteful and visually restrained, the Gretsch G6129 Silver Sparkle Jet first appeared in 1954 as an answer to the Les Paul model. While there are some immediately apparent visual similarities – the single cutaway body of Mahogany with a Maple cap – underneath there were significant differences. From 1954, the original Gretsch Jet models started with a Maple body, routed to provide a number of chambers for resonance and weight relief.
Space Control Bridge
Guitar makers and players sometimes don’t want to go for an understated approach, and the Gretsch Sparkle Jet G6129T is a case in point. Featuring a wildly metallic sparkle layer on top of chambered, single cut Mahogany body with Maple laminate top, the Sparkle Jet is anything but subtle. The Gretsch Jet models were introduced in 1955 as a response to the Gibson Les Paul. At the time, Gretsch was resistant to solidbody designs and so the Jet is heavily chambered. The Mahogany back has spaces routed into it, and a Maple laminate top is applied.
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MORE →The Gretsch 6125 Single Anniversary appeared in 1958 as an evolution of the Streamliner, itself based on the popular Chet Atkins 6120 model and in 1959 featured Trestle Bracing and the new patent applied for Filter ‘Tron hum cancelling pickup designed by Ray Butts. Here we’re looking at an all original Gretsch 6125 Single Anniversary in Smoke Green Two Tone. It’s in very nice condition, a very good neck angle and minimal wear to the finish and frets. There is a bit of binding damage, typical to Gretsch models of the era (due to long-term interaction between the binding and the binding glue), only on the short piece of binding next to the heel on the cutaway.
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MORE →Built from 1968 to 1972, the Gretsch 6071 bass is a thin hollow body bass, using Gretsch’s sealed ElectroTone body and a one Super ‘Tron type bass pickup. It’s closely related to the dual pickup 6073 bass built to 1971, most famously used by Peter Tork with the Monkees. Here we’re looking at an early and largely original Gretsch 6071 bass, built in 1968, its first year of production at the Brooklyn plant. It features a laminate Maple ElectroTone body with faux F-holes.
This instrument has sold
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