Classic timeless styling. The Huss & Dalton TOM-R combines traditional flat-top construction with the red spruce bracing used in all Huss & Daltons. This guitar is especially suited for finger-style players or flatpickers with a lighter touch, yet holds up to vigorous strumming when the performance becomes more intense. The even response and airy, shimmery qualities the OM has always been known for are maintained and expanded on in the Huss & Dalton TOM-R.
Spruce
Built in the Dana Bourgeois shop in Lewiston, Maine, as the first in a limited edition run of fifteen guitars, this Bourgeois Piccolo Parlor Guitar, is a modern example of the style. It uses top quality materials, is built and finished extremely well, as standard for all Bourgeois instruments.
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MORE →The Larrivee LV-10 50th Anniversary guitar celebrates 2017 and 50 years of Larrivee production, from humble beginnings in Jean’s Toronto workshop, to Victoria then Vancouver, and finally to Oxnard California.
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MORE →The Gibson SJ-100 hearkens back to the early Super Jumbo flat-tops built between 1939 and 1943. While it shares the body shape of the famous J-200, it has modest decoration and most importantly, uses Mahogany instead of Maple for the back, sides and neck. The tops are with Indian Rosewood for the fingerboard and bridge on both versions.
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MORE →Bourgeois guitars also tend to have relatively high neck angles, so there is more saddles exposed. In the short term, this means a bit more volume from the steeper angle of the string back to the pin. In the long term, it means that the guitar isn’t likely to need a neck reset for quite some time. Most steel string guitars will over time require a reset, and this can be an expensive proposition. Bourgeois seems to be taking a longer view with the higher angle.
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