The Taylor 314ce boasts the Grand Auditorium body design that gives Taylor guitars their full, rich tone with plenty of projection. The body is built with Sapele back and sides, which shares tonal properties with mahogany, and a traditional Sitka spruce top.
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The new Performing Artist line from Martin Guitars has made a real splash into their already comprehensive line up of guitars. These instruments feature all the quality and good looks you come to expect from Martin with a few new twists aimed at the gigging musician. The Performing Artist neck profile has a little less mass and a flatter shape than Martins standard low profile neck. This super smooth feel will appeal to fans of smaller neck profiles and help ease hand fatigue for those long sets. The neck joins the body at the 14th fret and the venetian style cutaway provides excellent access to the upper frets. The on board Fishman F1 Aura pickup system has everything a performer could want including a built in tuner all in a two button and small screen package which helps retain the sleek aesthetic appeal of these guitars. This series of guitars features three body shapes: dreadnought, OM/000 and the new Grand Performance model. They are available with mahogany or rosewood sides and back in a satin finish or the dressed up high gloss 1 series for people that really want that wow factor on stage!
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Beard guitars are normally squareneck, so this is an unusual instrument. This roundneck model is Paul’s newest creation, and it’s got the loudest, fullest bass response from a spider resonator we’ve seen. The custom resonator and oval soundhole really make this a distinctive guitar!
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This really is the most versatile guitar in the extensive Bourgeois line. In Dana’s words; “JOM stands for JUMBO OM. The JOMC is an original body style developed in the late 80’s, in response to players’ requests for a mid-sized guitar having the balance and clarity of an OM–but with a bigger presence. The idea was simple: Start with the OM outline, enlarge it a bit, play around with the curves, deepen the sides, then add the Bourgeois trademark cutaway. The result is our most versatile guitar; larger than an OM, smaller than a Dreadnought, capable of handling almost any playing style you can imagine, and equally capable of operating in solo or ensemble situations.”
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As Dana says, ” The BK Slope D known as the Banjo Killer has a deep, broad tone. Through wood selection and voicing, we push it in the direction of a bigger bottom end, a lush top end, and greater volume, similar to the characteristics of Bryan Sutton’s original Banjo Killer. When I first started making slope shouldered Dreadnoughts, I went for something as different as possible from the balanced and focused sound of my standard Dreadnought. The Banjo Killer gets me back to that original idea.”
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Originally designed as a 35th Anniversary model, this massive sounding Baritone is a uniquely voiced instrument that should appeal to many types of players. Start off with the big and loud Grand Symphony body shape, then add the classic wood pairing of Sitka spruce and Indian rosewood, and top it off with a 27″ scale length tuned from B to B and you get a lush sonic cocktail!!
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