Strandberg Salen Deluxe Vintage Burst, 2018
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Here is a Fender Stratocaster built and sold during 1957; the neck date is 10-57, or October. It wears the then-standard two-tone nitrocellulose lacquer tobacco sunburst, with single ply pickguard and of course a V-profile maple neck. The serial number plate is stamped ‘-21305’. The minus sign prefix is specific to the 1957 and 1958 production, with some models alternately having a ‘0’ prefix. Over the years, this guitar has had a number of changes made, and most have been recently repaired in our shop.
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The Wildwood Heirloom traditional open-back banjo is handmade by master luthier Mark Platin in Bend, Oregon, and features a Tubaphone style tone ring and engraved vintage theme inlays. The Wildwood Heirloom pot is built around Wildwood’s turned rock-maple block rim, fitted with a brass Tubaphone replica tone ring and Waverly tailpiece. This banjo also has the historic Vega banjo ‘bracket band’ upgrade.
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The Gibson Keb Mo signature Bluesmaster guitar is based on the small-bodied Gibson L-body guitars many blues players used from the 1920’s on. The L-body series weren’t just used by blues players – for many players throughout North America, these were a first serious guitar. The Gibson Keb’ Mo’ sports a Adirondack Red Spruce top with herringbone purfling, mahogany back and sides, and a mahogany neck with a bound East Indian Rosewood fingerboard. The bridge is also rosewood, with a bone saddle. The finish is Gibson’s normal nitrocellulose lacquer sunburst.
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Here’s a treat – a Graham Caldersmith Concert Classical Number 73 guitar from 2009, with lattice-braced Red Cedar top and lovely American Walnut for the back and sides.
Graham Caldersmith has long been interested in musical instruments, and after a detour that led to a Masters in Aerophysics – advanced study of Mars – in 1978 he decided to shift to full time lutherie. His shop builds concert classical guitars, violins, violas, and cellos, based on careful research he himself conducts.
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This G W Barry M-Body guitar was built during 1998 at G W Barry’s shop in Toronto, Canada. As such, it features Barry’s ‘M’ body design, derived partly from the Martin style body. The top is Sitka Spruce with a paua abalone rosette and top binding, the back, sides and neck plate of Indian Rosewood, with mahogany for the neck and ebony for the bridge and bound fingerboard. A Fishman Matrix pickup, with no controls, is installed to an endpin jack. Tuners are by Gotoh, and have ebony buttons. The A button has a crack, which is relatively common with these units.
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