The Fender Princeton Reverb Blackface was a successor to one of Leo Fender’s first amps, the 5-watt, 1×8 speaker 1946 Princeton aimed at students. Over the years that model evolved into a the 15-watt, 1×10 speaker combo with Reverb and Tremolo. And over those years, it was adopted as a key tool for session players due to its great sound, relatively low power, light weight and portability.
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The Mesa Boogie TC50 Triple Crown Combo amp was launched in 2016 and is still in production, here providing 50 watts to a single 12 inch speaker.
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Next up is one of my favourite amps, the Fender 68 Custom Vibrolux Reverb. In regular production since 2014, this amp delivers 35 watts through 2×10 inch speakers and is loud enough for many venues.
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The Fender Princeton Reverb amp appeared in 1964 as an upgrade to the Princeton amp that had been evolving in Fender’s lineup since 1948. Topping out at 12 watts through a 10 inch speaker, the Princeton found itself on many stages and studios. Though fairly low powered, it was not exactly a student or practice amplifier.
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The Fender Concert 1×12 60 watt amp was built from 1982 until 1985 and was the successor to the 1960 – 1965 40 watt 4×10 Concert models.
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Here we’re looking at a Tone King Imperial sporting Turquoise / White dress and in great condition. This amp was hand built in Mark Bartel’s Tone King shop in Baltimore, MA. In 2010, Premiere Builder’s Guild had just purchased Tone King, which they held till they closed in 2016, ending Bartel’s association with the brand. Tone King is now part of Boutique Amps Distribution, and from 2017 Mark Bartel builds amps under his own name.
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