This is a wonderful rarity. Built during 1953, this is an early Gibson ES-295 in good, clean and largely original condition, showing some honest finish wear and tear from real use over the decades. It’s easy to confuse the Gibson ES-295 with the classic ES-175, and there’s a good reason – they are the same guitar, but the ES-295 has a double gold finish and when introduced, two pickups instead of one.
Archtop
This Gibson A-Jr. model A-Style mandolin in Sheraton Brown is now a century old, and still sounds great and plays well. This Gibson A-Jr. model A-Style mandolin in Sheraton Brown is now a century old, and still sounds great and plays well. The Gibson A-Jr. Mandolin, also known as the Gibson Junior, was the entry level for Gibson’s mandolin line from 1919 to 1927, when it became the A-0. Though classed as ‘entry level’, it was and is an excellent instrument.
This instrument has sold
MORE →Here’s a lovely rarity– an Gibson ES-150DC, a double cutaway, full depth hollow body electric archtop built as late as 1974 at the unionized Kalamazoo plant during the Norlin years. Drawing inspiration from the venerable ES-150 model – introduced in 1936 with the ‘Charlie Christian’ pickup and built until 1956 – the Gibson ES-150DC is unusual. In 1958, the all-new thinline, semi-hollow ES-335 and 345 were introduced and started the final decline of the popular full depth archtop.
This instrument has sold
MORE →The Gibson ES-350T (or ES-350TD to the early 1960s) is a thin-bodied, single cutaway fully hollow archtop electric built from 1955 to 1963 with a 23.5 inch scale length, and from 1977 to 1993 with a 25.5 inch scale. It started as the full-bodied, single-cutaway, 25.5 inch scale length single P-90 ES-350 Premiere in 1947. The ES-350 models were used by a number of top artists in the 1950s, most notably Chuck Berry. At introduction in 1955, the Gibson ES-350T shared several things with the also-new Byrdland, particularly the 23.5 inch scale length.
This instrument has sold
MORE →Introduced in 2014 and built until the plant closed, the Gibson Memphis ES Les Paul was one of the most radical versions of the Les Paul design. Though it looks from a few feet away much like a ‘Standard’ Les Paul, the ES version has a pair of F-holes exposing the mostly hollow, chambered body.
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MORE →This Gibson Les Paul Classic 1960 Reissue sporting in Cherry Burst finish and ‘1960’ stamped creme pick guard, was built during 1993 at the Nashville plant. The Gibson Les Paul Classic 1960 follows the usual pattern of a carved Maple cap on a Mahogany back, set Mahogany neck and bound Indian Rosewood fingerboard. The carve of the top is a little more pronounced than the slightly flatter R series, and the neck is slimmer.
This instrument has sold
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