Here we have a William Laskin Cedar Top classical guitar, built during 1992 and featuring the Laskin Arm Rest, 655mm scale length and very nice Indian Rosewood sides and back.
Built in the traditional Spanish style with a slipper heel integrating the body and neck, this William Laskin Cedar Top classical is in good condition.
Nylon
This Kenny Hill Curva Negra Crossover was built in Hill’s Felton, California workshop during 2005 and features a Hauser-influenced cutaway body. The guitar has a Bearclaw-figured Spruce top paired with Indian Rosewood for sides, back headplate and bridge.
Here we have a very nice Marc Beneteau Classical guitar with Sitka Spruce top and Indian Rosewood back and sides, built in the Beneteau shop in St. Thomas Ontario during 1998. Built in a modern style, this Marc Beneteau classical model uses a Sitka Spruce top paired with Indian Rosewood for the sides and back.
This instrument has sold
MORE →The Manuel Rodriguez e Hijos line comes from celebrated Spanish builder Manuel Rodriguez, as affordable quality production models. These guitars, now discontinued, were built in a larger Rodriguez-owned shop in Esquivias, about 45 minutes south of Madrid.
The 2008 de Jonge Jazz seen here is available on custom commission only and features an adjustable neck joint, Bearclaw lattice-braced Spruce top with teardrop soundholes, Brazilian Rosewood three-piece back and sides, and a French Polish finish. Sergei de Jonge has been building for many years, starting with his early work with Jean Larrivee in the Toronto area in the 1970’s.
This instrument has sold
MORE →This Yamaha GC-30A no.829 Grand Concert Brazilian Classical, dating to 1982, reflects the upper end of Yamaha guitar production in a concert grade instrument, featuring a pairing of a Red Cedar top and Brazilian Rosewood back and sides. This fine instrument was built during 1982 at the Yamaha home facility in Hamamatsu, Shizuoka Prefecture and is signed by master luthier Mr. Toshio Kato. The GC or ‘Grand Concert’ line was conceived during the mid 1960s, when Yamaha arranged for three luthiers – Hiroshi Harada, Hideyuki Ezaki and Toshio Kato – to learn from Spanish master Eduardo Ferrer.