The Nechville Leon Hunt Phantom Banjo, while not a ‘formal’ Nechville model, is based on the Nechville Phantom XXV (Phantom 25). It uses all the Nechville Phantom elements plus very highly figured maple for the neck and resonator (rather than the stock figured walnut construction), with a slight walnut tint to the finish.
Ontario
The Gibson RB-250 Mastertone was the working-musician’s banjo for decades and offers that classic Gibson sound with the “Snap” to the treble attack that only Gibsons have. This is essentially the same banjo as the famous Gibson RB-3 without the Wreath inlay.
Over the years, the Gibson Les Paul Standard has gained and iconic position in the guitar pantheon, though it has been in and out of favour as time passed. Built during 1976, about halfway through Norlin’s ownership, this Gibson Les Paul Standard sports a classic tobacco sunburst finish.
Built from 1997 to 2000, the Martin Thomas Humphrey C-1R offers a Humphrey element normally found primarily on high-end classicals – an elevated fingerboard. Thomas Humphrey was an American luthier who apprenticed for a year with Michael Gurian around 1970, and then opened his own shop.
Here we’re looking at a Guild Capri CE-100D from 1965 in overall good condition, looking like it has been used as intended over the years. Built from 1956 until 1982, the Guild Capri CE-100D was a fully hollow body archtop electric with a Florentine cutaway and a pair of pickups. The CE-100D was the Double pickup version of the single-pickup CE-100; at first, Franz pickups were used, then DeArmond, and in 1963 Guild’s new Anti-Hum pickups were fitted.
The Martin D-45 has been the top of the line in the Martin Guitar Company’s line of regular production instruments since its initial introduction in 1933, and its re-introduction in 1968.