This Yamaha GC-30A no.829 Grand Concert Brazilian Classical, dating to 1982, reflects the upper end of Yamaha guitar production in a concert grade instrument, featuring a pairing of a Spruce top and Brazilian Rosewood back and sides. This fine instrument was built during 1982 at the Yamaha home facility in Hamamatsu, Shizuoka Prefecture and is signed by master luthier Mr. Toshio Kato. The GC or ‘Grand Concert’ line was conceived during the mid 1960s, when Yamaha arranged for three luthiers – Hiroshi Harada, Hideyuki Ezaki and Toshio Kato – to learn from Spanish master Eduardo Ferrer.
Ontario
The Fender Jazz Bass appeared in 1960 aimed at jazz bassists who still played full size uprights. It rapidly moved into the rock world. This example was built during 1977 at the Fender plant in Fullerton, California. It was refinished some time in the past, with a clear satin over the neck and white for the body.
This instrument has sold
MORE →Here we have a very nice Harrison GB Custom with Sapele Pomelle top, built at Douglas Harrison’s shop in Toronto Canada during 2013. Originally the outgrowth of a guitar custom built for the late Gary Benson, a well known Toronto jazz guitarist and educator, the Harrison GB has proven itself popular with an increasing number of players – including Harrison himself at his own gigs!
This instrument has sold
MORE →This Dobro Model 60D-S Square Neck Resophonic guitar with shaded finish was built during 1988 in Huntington Beach, CA by OMI, the Original Musical Instrument Company. OMI was founded in 1967 by two surviving brothers of the Dopyera family, Rudy and Emile. This Dobro Model 60D-S Square Neck guitar dates to 1988, based on the serial number stamped on the top of the headstock.
This instrument has sold
MORE →The Nechville Leon Hunt Phantom Banjo, while not a ‘formal’ Nechville model, is based on the Nechville Phantom XXV (Phantom 25). It uses all the Nechville Phantom elements plus very highly figured maple for the neck and resonator (rather than the stock figured walnut construction), with a slight walnut tint to the finish.
This instrument has sold
MORE →The Gibson RB-250 Mastertone was the working-musician’s banjo for decades and offers that classic Gibson sound with the “Snap” to the treble attack that only Gibsons have. This is essentially the same banjo as the famous Gibson RB-3 without the Wreath inlay.
This instrument has sold
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