This is a very nice Godin A6 Ultra in a high-gloss Cognac Burst, built during April 2020 in Quebec and featuring both a humbucker and piezo pickups. The Godin A6 Ultra, like the very versatile and successful Multiac series, draws from the 1981 – 1995 Gibson Chet Atkins CEC (Cutaway Electric Classical) and 1987 – 2006 SST (Solidbody Steel String) designs.
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The Gibson Midtown Custom was introduced in 2011 and built until perhaps 2015 as a thin, chambered flat top ES style model. Though it resembles the ES-336 or 339 models, the Midtown line – Standard and Custom – uses a chambered Mahogany body back with a flat Maple cap.
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MORE →The Godin 5th Avenue archtop model was introduced at the 2008 NAMM show, it was a surprise hit given that this type of guitar has been seen on fewer stages since the early 1960s. Since then, the 5th Avenue has been seen in a number of variations with different pickup configurations, with and without Bigsby True Vibrato tailpieces, with and without cutaways, and in a host of finishes. Seen here is the Godin 5th Avenue Edition Speciale PT sporting an Indigo Blue finish.
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MORE →The Godin Multiac Grand Concert SA is the direct descendant of a Chet Atkins idea – a nylon-string guitar built to be amplified. The initial models were built by Gibson as the Chet Atkins CEC (Cutaway Electric Classic). Eventually, Gibson discontinued the model but Godin took the concept and improved it dramatically, even including synthesizer interface electronics.
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MORE →The Godin Summit Classic HB is derived from a classic design, and offers a chambered Spanish Cedar body with a carved Maple cap. This example was built during 2016 at the Godin plants in La Patrie and Richmond, Quebec. It’s in great condition with very little wear.
The Martin OMCPA1 LH is a left-handed version of a cutaway, OM body design in the now-discontinued Performing Artist line. The designation breaks down as Orchestra Model, Cutaway Performing Artist 1 (the 1 refers to the wood and trim selection), and Left Handed. The OM or Orchestra Model body design dates to the closing days of 1929 when the great banjoist migration was taking shape as many players shifted to guitar.
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