Built from 1996 to 2009, the PRS Swamp Ash Special featured a solid Swamp Ash body with the trademark PRS contouring, a 22-fret bolt on neck and a center single coil pickup. Based on a built up, carved top block of Swamp Ash paired with a bolt on Maple neck, the PRS Swamp Ash Special is a straightforward model. A pair of humbuckers bracket a Seymour Duncan Vintage Rail single coil format pickup, with a pickup selector, master volume and push/pull master tone control providing coil tap options
Instruments
Combining classic D body construction and ’42’ style trim, this 2007 Collings D-42A dreadnought pairs Adirondack Spruce with Indian Rosewood. This sonic cannon delivers much more than good looks and top quality construction. Now out of production, the Collings D-42A sat at the top of Collings’ ‘Traditional’ line.
Following its original form as an A.C Fairbanks product, the Fairbanks Vega Whyte Laydie featured a natural finish on the maple neck and pot which provided its name. However, the real innovation was the Whyte Ladyie tone ring and bracket band, reducing the number of holes drilled and adding mass to the pot.
Here we have a very nicely preserved Santa Cruz OM Pre-War model in its stock configuration, pairing a Sitka Spruce top with Indian Rosewood for the back and sides. This lovely piece is in great shape with only light wear to the finish and negligible fret wear.
Here’s a fairly rare guitar, a Gibson ES-325 TDW, where the ‘TDW’ stands for Two Pickup, Double Cutaway, Walnut finish. The TDW does not appear anywhere on the guitar or its label, bur does appear on marketing materials, to distinguish it from the ES-325 TDC with Cherry finish or the TD in Tobacco Sunburst. This guitar was built between 1972 and 1978 and is an original example of Gibson’s Norlin era production – Gibson’s corporate parent between 1969 and 1986.
This instrument has sold
MORE →Based on the very successful ‘Cresting Wave’ 4000 series, the Rickenbacker 4004cii ‘Cheyenne’ mixes Maple with Black Walnut (a Canadian ice cream tradition!) for the body, and Maple with Bubinga for the neck and fingerboard. Both the Maple and Black Walnut used on these basses are from sustainable, North American farms; Bubinga is native to West Africa.
This instrument has sold
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