Here’s a nicely refinished 1968 Fender Precision Bass. There have been lots of good reasons to refinish an old instrument, and this one was done professionally without significantly altering the edges or contours. The DiMarzio pickup was likely installed in the late 70’s or early 80’s for a punchier tone. This bass plays well, sounds and looks great.
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Here’s a great condition L-series 1965 Fender Jazz Bass. The Jazz Bass has been in continuous production, with some variations, since its introduction in 1960. This version has individual volume controls and one tone control, and was built just prior to the shift to block position markers and bound fingerboard.
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Exceptional craftsmanship, amazing wood sets, impressive attention to detail, amazing playability, this is what you get with a Harrison GB guitar!! This example from last year is in excellent shape with hardly any play wear. Comes with original hardshell case.
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Intended as a workingman’s 5-string bass, this example of the Fender Jazz Bass 5 steps up with flame maple top and gold hardware. It’s got all the sound and playability you expect from a Fender, and it looks great.
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This is a very cool Mustang bass. The Neckplate with the serial number isn’t original; that number, with the preceding L, indicates production between 1962 and 1965, but the Mustang bass didn’t come into production until 1966. The neck has no date but is stamped 0400-1243 in red and J. Torres in black, dating it to 1974 and matching the pot codes.Regardless, this is a largely original, great bass.
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I came to Twelfth Fret with an all original 1967 Gretsch Chet Atkins Tennessean which I had purchased online. The guitar was barely playable, would not tune and was just a very expensive disappointment. After a consultation with Scott, he came up with a plan to see if this guitar could be brought back to life. After great communication, Scott put his skillful hand to work and gave me back one of the greatest guitars I have ever played!
I went from totally disappointed with this guitar, to it being one of my favorites. I don’t know how Scott did it, but unbelievable. Great communication throughout the process, incredibly skillful work, and most of all just a real desire on Scott’s behalf to bring this thing back to life as best he could. I went from having totally given up, to very boastful to own this guitar. Completely blown away.
Absolutely no hesitation bringing any future projections to Scott and the rest of the staff. Thank you so much!
