The 65 Amps Stone Pony was available as a combo or head / cabinet format, and in two power levels – 25 and 50 watt versions. This model was introduced in 2008 until the company ceased operations around 2018.
Amplifiers
The Matchless Chieftain is a 40 watt, class A 2×12 Combo tube amp using a pair of EL34 tubes and built to be extremely solid and versatile.
This amp is somewhat rare – a Walter Woods MI 100-8 wo Channel Bass Amp, hand built during 1999 in Van Nuys California.
The Mesa Boogie Mark 1 was an unexpectedly significant amplifier. Blending a hot-rodded Fender Bassman circuit and 12 inch JBL speaker into a Fender Princeton chassis and cabinet, Randall Smith created an immediate hit.
Based on the well established Champ amp, the Fender Vibro Champ Amp was built from 1964 to 1982. In addition to the Vibrato circuit and its speed and intensity controls, this model gained Treble and Bass tone controls.
New for this generation of guitarists is the Mesa Boogie Recto-Verb 1×12 combo, retaining all the similar Rectifier series features and more.
The Fillmore 25 watt 1×12 combo is Mesa’s take on the classic voicings of the 50’s and 60’s. This amp covers a range of tones from the lovely edge of breakup style cleans to a warm crunch and a saturated thick overdrive.
The Marshall Handwired 1974x is an 18-watt, 1×12 inch tube combo amp that reproduces one of the key amps in Marshall’s history, and here is accompanied by the matching 1×12 cabinet.
Here is a great condition Fender 68 Custom Vibrolux Reverb, delivering 35 watts through a pair of 10 inch Celestion Ten 30 speakers.
The Fender Custom Vibrolux Reverb amp is based on the classic but perhaps under appreciated Vibrolux Reverb models, with a bit more power and reverb on both channels. The Fender Custom Vibrolux Reverb Professional Tube Amplifier, built from 1995 to 2013, was part of Fender’s Professional Series, designed by the Custom Shop and built in the factory.
The Fender Custom Vibrolux Reverb Professional Tube Amplifier, built from 1995 to 2013, was part of Fender’s Professional Series, designed by the Custom Shop and built in the Fender factory. It is based on the Blackface versions of the classic 35 watt, 2×10 speaker Vibrolux Reverb, and uses a pair of Jensen speakers. And it comes stock with tilt-back legs! This example dates to 2006 and is in very good condition.
The Fender Super Reverb was built from 1963 to 1982, and was one of Fender’s physically largest combo amps – though in terms of raw power output, the most powerful combo was the Twin Reverb. The Super Reverb delivered 40 watts as ‘Blackface’, then 45 watts as ‘Silverface’ and ultimately 70 watts for models after 1977, all through four ten inch speakers.
Evolving from one of Leo Fender’s oldest designs, the Fender Deluxe Reverb 1968 “Silverface” introduced updates to the ‘Blackface’ models that had gained Reverb and Vibrato. However, in 1968, not many changes had been made to the Deluxe Reverb to take it away from the ‘Blackface’ circuitry; at this point most changes were cosmetic.
The Fender Twin Reverb Master Volume model was based on the Twin Reverb, launched in 1963, itself based on the Twin Amp that started its evolution with the 15-watt 1952 Twin.
The Vox AC30/6TB Combo Amp was built from 1994 to 2004, just after Vox ownership passed from Rose Morris to Korg. Here, we’re looking at a good condition Vox AC30/6TB built during 1999 in England, under the ownership of Korg; the amp itself was built by a well-known contractor.