Evolving from one of Leo Fender’s oldest designs, the Fender Deluxe Reverb 1968 “Silverface” introduced updates to the ‘Blackface’ models that had gained Reverb and Vibrato. However, in 1968, not many changes had been made to the Deluxe Reverb to take it away from the ‘Blackface’ circuitry; at this point most changes were cosmetic.
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The Fender Princeton Reverb II was built from early 1982 into 1986, ending not long after CBS sold Fender to a management team.
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The new Marshall SV20C in the Vintage Studio line is a portable combo with the raw power and classic rock voicing of the original Marshal Plexi’s all valve tone.
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The Fender 65 Deluxe Reverb Reissue brings back one of Fender’s most popular amps in the ‘Blackface’ variant from the mid 1960s. The Deluxe Reverb is a 22 watt, two channel amp and its moderate power makes it ideal for use in studios and small to medium sized venues – past that, put a mic in front of it!
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Here’s a Morris Mini Muscle 20, built by Glen Morris of Morris Amplification in 2005 as a single channel, 14 watt amp, and rebuilt by Morris in 2018 to provide a second channel and 20 watts. Morris Amplification is based in Welland, Ontario and specializes in custom amp construction and repairs. Their client list includes producer Jack Douglas, John Angus and Jack Syperek of the Trews, James Black of Finger Eleven, Dallas Green of Alexis on Fire, and many more.
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