The Fender Princeton Reverb II was built from early 1982 into 1986, ending not long after CBS sold Fender to a management team.
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Here’s a fantastic Fender Vibro-King 20th Anniversary combo amp from 2013, delivering 60 watts through a trio of ten-inch speakers.
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Originally introduced as the Dual Professional in late 1946 and renamed in 1947, the Fender Super Amp started as a 20 watt, 2×10 combo, rising to a whopping 40 watts by 1962, and was discontinued in 1963 as Reverb-equipped models displaced several designs. Here we’re looking at a Fender Super Brownface amp, with the ‘brownface’ trim putting it directly between the ‘Blonde’ and ‘Blackface’ eras. (In the vintage amplifier world, the terms ‘Brownface and’ ‘Blackface’ – referring to the amp’s white lettering on a brown or black control panel – have no relation to what those terms mean in current political or cultural contexts).
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The Ampeg SVT Classic is based on the groundbreaking 300 Watt SVT tube amp line used by bands touring large festivals and areas from 1969. Prior to the SVT, very few amps could produce more than 100 watts. These amps are particularly prized by bass players. The public introduction of the SVT series, in 1969, was unexpected. The Rolling Stones were rehearsing for an upcoming tour, and all of their UK-model Fender amps were damaged due to power differences.
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The new Marshall SV20C in the Vintage Studio line is a portable combo with the raw power and classic rock voicing of the original Marshal Plexi’s all valve tone.
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The Fender Pro Amp, first named Professional from 1946 to 1948, was aimed at performing guitar players and vocalists and put out a whopping 15 watts. From 1946 to mid 1953, it used a tweed-covered ‘TV Front’ cabinet as seen here. The Pro amp was discontinued in 1965 and became the Pro Reverb amp, following the pattern Fender was using with other non-reverb amps. Here we’re looking at a Fender Pro Amp dating to 1952 with the 5B5 circuit.
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