Should you use a capo, or is it cheating?
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Here is a very well preserved 1978 Fender Jazz Bass in a custom colour. Officially, this colour was designated ‘Walnut’, but many people call it ‘Mocha’ – which was never an official colour.
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This 2009 Ernie Ball Music Man Axis Super Sport 25th Anniversary is in very clean condition with very little wear. These instruments play very well, and the combination of the maple cap on basswood balances the tone and makes the guitar quite light.
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The Gibson Byrdland features a unique blend of large and small; a full 17 inch wide body with a 2.5 inch depth, and a rather short 23.5 inch scale length that’s intended to allow players to grab big chords and play fast.
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The Gibson ES-175D first appeared in 1953, as a two P-90 pickup version of the single pickup ES-175 introduced in 1949. In 1957, Gibson added their all-new humbucking pickups to the ES-175, along with much of the rest of their lineup. Over the years, the Gibson ES-175D has become known as just the ES-175.
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This 1965 Edgar Monch Classical Guitar is from just before his Toronto period, one of the last from Munich. It has a clear, commanding voice with a full, rich tone and is suitable for the hands of an advanced or professional guitarist. It has a clear, commanding voice with a full, rich tone. It’s had some top cracks repaired, and is structurally in good condition. Of a similar design to Hauser guitars of the period, It features a spruce top, Indian rosewood back and sides and bridge, an ebony fingerboard with 650mm scale length and 50mm nut width.
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