I’m really enjoying this guitar – built in 2007, a Gibson Les Paul Special Doublecut with P90 pickups, in Faded Cherry finish.
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Descending directly from the ES-339 line, the Gibson ES-339 was an immediate hit when it appearead in 2007, sporting a scaled-down body but full-size neck.
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The Gretsch Nashville G6120 6-12 Doubleneck was introduced in 1997, as a new model and built in very small numbers. There isn’t a lot of demand for doublenecks in the first place. However, they are impressive on stage, and if you need one, there is no substitute!
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This example of the 1965 Gibson Country Western is in good overall and playing condition. It has had its major service – a neck reset – so the neck angle is very good with plenty of saddle for action adjustments.
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Built from 1955 to 1959, the Gibson ES-225T was a thinline but fully hollow, single P-90 pickup, florentine cutaway guitar. In 1956, a two pickup version was introduced, the ES-225TD.
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In addition to being a great player, Chet Atkins came up with many great ideas to push the guitar forward. During his association with Gibson, two novel instruments appeared: the Gibson Chet Akins CE Classical Electric, and the Gibson Chet Atkins SST solidbody acoustic.
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I came to Twelfth Fret with an all original 1967 Gretsch Chet Atkins Tennessean which I had purchased online. The guitar was barely playable, would not tune and was just a very expensive disappointment. After a consultation with Scott, he came up with a plan to see if this guitar could be brought back to life. After great communication, Scott put his skillful hand to work and gave me back one of the greatest guitars I have ever played!
