There’s a small mystery around this Gibson ES-339s Compact Thinline built in Memphis in the meaning of the ‘s’ after the ES-339 on the label. A first suspicion is to indicate a Spruce top, but that’s not the case here; the top, like the back and sides, is Maple laminate.
Archtop
Here’s another rarity – the Gibson ES-150D, a double cutaway, full depth hollow body electric archtop built as late as 1974 at the unionized Kalamazoo plant during the Norlin years. Drawing inspiration from the venerable ES-150 model – introduced in 1936 with the ‘Charlie Christian’ pickup and built until 1956 – the Gibson ES-150D is unusual.
The Collings CL Jazz is a rare thing of beauty, functional art manifesting as a thinline hollowbody carved top jazz guitar. The late Bill Collings’ work is some of the best. His work was very well thought out and executed in every way. Build quality, materials selection, fit, finish, sound and playability are top notch.
Over the years, the Gibson Les Paul Standard has gained and iconic position in the guitar pantheon, though it has been in and out of favour as time passed. Built during 1976, about halfway through Norlin’s ownership, this Gibson Les Paul Standard sports a classic tobacco sunburst finish.
Here we’re looking at a Guild Capri CE-100D from 1965 in overall good condition, looking like it has been used as intended over the years. Built from 1956 until 1982, the Guild Capri CE-100D was a fully hollow body archtop electric with a Florentine cutaway and a pair of pickups. The CE-100D was the Double pickup version of the single-pickup CE-100; at first, Franz pickups were used, then DeArmond, and in 1963 Guild’s new Anti-Hum pickups were fitted.
The Heritage H-575, built at the historic Parsons Street plant in Kalamazoo, Michigan takes visual cues from the classic Gibson ES-175, but there are major differences in construction and materials. When Gibson introduced the ‘ES’ or ‘Electric Spanish’ designation, archtops were the most commonly used models on bandstands because of their superior volume and projection.