Here’s something new from National Resophonic – the T14 N, 14 fret cutaway Tricone with Bright Nickel Finish has arrived!
Made In USA
First appearing in 1953, the Gibson Les Paul Custom began as an upmarket version of Gibson’s new solidbody, with a solid Mahogany cap instead of Maple and P90 pickups and a dramatic black finish. Here we’re looking at a Gibson Les Paul Custom in Black, built likely during 1974 at the Gibson plant in Kalamazoo, Michigan. At this point, Gibson was well into planning their move to Nashville, but the new plant was not ready until 1984.
This instrument has sold
MORE →Here we have a striking Huber Lancaster 5-String Banjo -a spectacular tonal recreation of pre-WWII Mastertone banjos, ideally suited for hard-driving bluegrass. The Lancaster is not visually elaborate, but brings all the sound and playability of a professional grade instrument. This fine banjo is in very good condition, with no appreciable wear or damage. The original hard shell case is included.
This instrument has sold
MORE →The Fender Limited Edition USA Geddy Lee Jazz Bass was built in Corona, California, and is based on an Alder body with Flame Maple Top, finished in translucent crimson red poly. The neck is Maple with a combination of oil finish on the rear of the neck and gloss Poly on the fingerboard and headstock. The rear of the head has Geddy Lee’s signature.
This instrument has sold
MORE →The Taylor 814ce has been a mainstay of the Taylor line for some years, with a classic Spruce and Rosewood paring on the cutaway Grand Auditorium body. Here we have an older Taylor 814ce, built during 1999 at the Taylor shop in El Cajon, California. It features a Sitka Spruce top with Indian Rosewood for the back, sides and headplate, Mahogany for the neck and Ebony for the bridge and bound fingerboard.
This instrument has sold
MORE →This Fender Telecaster 63 NOS is based on Fender’s 1963 specs. It is in complete and all original condition, and in good shape – there are a few dents and small chips around the edges of the nitrocellulose lacquer body finish. It is unusual for players to keep the ‘Ashtray’ pickup cover on. Though its purpose is to provide some shielding for the bridge pickup, it can get in the way of palm muting, and most of the time it is removed, set aside, and lost. Not here!
This instrument has sold
MORE →