The Gretsch Nashville G6120 6-12 Doubleneck was introduced in 1997, as a new model and built in very small numbers. There isn’t a lot of demand for doublenecks in the first place. However, they are impressive on stage, and if you need one, there is no substitute!
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The Martin Dreadnought has been in regular production since its re-introduction in 1931, as a revival of the pre-1920 Ditson models. First listed as the D-1 and D-2, these models had 12-fret necks like the Ditsons. The D-1 combined a spruce top with mahogany for the back and sides, and the D-2 spruce and rosewood. In 1934, these models were rebuilt with 14-fret necks and became the Martin D-18 and Martin D-28.
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The Fender Telecaster has been an extremely popular design since its introduction as the Broadcaster in 1950. Its tonal versatility, reliability and durability led to its use in a huge range of musical genres. On this 1968 Fender Telecaster, the blonde finish is in good original condition with some yellowing due to age. All parts other than strings are original
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This sunburst example of the Collings MF Mandolin from 2008 has been used as intended by a prominent bluegrass player. It is thoroughly played in, so along with the honest, well-earned wear and tear, its tone has fully developed.
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Louis Panormo was the most successful of all nineteenth-century London guitar makers. His clients included Trinidad Huerta Madame Pratten and probably Fernando Sor. He built guitars from 1822 to around 1855 when his nephew took over the business.
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The Fender Telecaster is probably the most successful musical instrument design in history. It’s brilliantly simple yet highly versatile, extremely durable, and the fact that it’s easy to configure and customize has made it one of the most produced and copied guitar concepts.
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