Showing distinct signs of having been used as intended, this Fender Stratocaster Sunburst was built during 1958 in Fullerton, California. Introduced in 1954 as the successor to the Telecaster, work on the Fender Stratocaster began in 1951.
Vintage
The Gibson Les Paul Special TV model appeared in 1955, with the ‘TV’ referring to a special ‘limed’ finish intended to make the guitar more visible on black and white televisions and films. This finish had become available in 1954 on the Les Paul TV, a single-pickup Les Paul Junior. Both models used a slab Mahogany body with no Maple cap, and a Mahogany neck, with a bound Rosewood fingerboard, which into the mid 1960’s meant Brazilian Rosewood.
Ramirez 1a flamenco guitars are built in the traditional Spanish style at the ‘home’ workshop. The guitar centers on a ‘slipper foot’ neck to body joint, with the sides fitting into slots cut into the heel block. The body pairs a Spruce top with Cypress back and sides – a very light wood in terms of weight and colouring, also providing a lot of brightness to the tone.
This Gibson Tal Farlow is a rare model. Named after the renowned jazz guitarist Tal Farlow, who played Gibson guitars throughout the ’50s where this model was designed to meet Farlow’s demands for a guitar that combined superb playability with a rich, resonant tone.
Built from 1996 to 2009, the PRS Swamp Ash Special featured a solid Swamp Ash body with the trademark PRS contouring, a 22-fret bolt on neck and a center single coil pickup. Based on a built up, carved top block of Swamp Ash paired with a bolt on Maple neck, the PRS Swamp Ash Special is a straightforward model. A pair of humbuckers bracket a Seymour Duncan Vintage Rail single coil format pickup, with a pickup selector, master volume and push/pull master tone control providing coil tap options
Following its original form as an A.C Fairbanks product, the Fairbanks Vega Whyte Laydie featured a natural finish on the maple neck and pot which provided its name. However, the real innovation was the Whyte Ladyie tone ring and bracket band, reducing the number of holes drilled and adding mass to the pot.