The Twelfth Fret ~ Since 1977 ~

Posts Tagged Classical

Herbert Wolfel Classical 1987 (Consignment) SOLD

Herbert Wolfel Classical 1987 (Consignment) SOLD

Mahogany neck, ebony fretboard, 650mm scale length, 52mm nut width; Spruce top, Cocobolo sides and back.

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Daniels Classical 1998 (Consignment) SOLD

Daniels Classical 1998 (Consignment) SOLD

Here is a truly handmade concert grade classical from Peter Daniels featuring a
gorgeous book matched European spruce top, super precision Sloane tuners and Peter’s unique
segmented wood rosette.

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Wren Concert Cutaway 1978 (Consignment) SOLD

Wren Concert Cutaway 1978 (Consignment) SOLD

Today we are featuring a lovely Concert Cutaway from David Wren. This guitar has seen a bit of use and has had a top crack repair and bridge reglue. It has also really opened up to provide the already well balanced tone with additional bass response and overtone content.

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Beneteau Mini Jumbo Mahogany 2004 (Consignment) SOLD

Beneteau Mini Jumbo Mahogany 2004 (Consignment) SOLD

Here is a beautiful flat top from luthier Marc Beneteau. The Engelmann spruce and Flamed mahogany combination provides a focused tone with plenty of midrange bloom to go along with crisp trebles and full bass. This example is in excellent shape with only very minor wear and comes with a black arched hardshell case!

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Ramirez 125th Anõs, Spruce and Cedar (used) SOLD

Ramirez 125th Anõs, Spruce and Cedar (used) SOLD

We rarely get Ramírez guitars in the door as trade in guitars. But this week, two incredible Ramírez guitars came in …both traded up to much higher level Concert instruments.Both are very recent construction; one in Spruce top and one in Cedar

I’ve looked them over and condition is virtually perfect or “as new” condition. The finish is mint and no sign of playing wear on the fretboard.

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Godin Multiac ACS-SA with burled maple top (Used) SOLD

Godin Multiac ACS-SA with burled maple top (Used)  SOLD

The Godin Multiacs are very popular instruments. They meet the needs of many nylon-string players who require the responsiveness, tone and feel of nylon strings, the ability to add volume (and lots more volume, with horns and drums!) without feedback, and the durability of solid-body bolt-on construction. Additionally, these instruments often have a slightly crowned fingerboard that appeals to players who don’t play strictly classical styles, for example Latin styles. Additionally, they will directly drive guitar synths; the pickup and connector are built-in.

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THE TWELFTH FRET

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