This 1976 William Laskin Cactus Guitar is named (by us) for the fingerboard inlay. Between the last fret and the soundhole, there is a small inlay of a cactus and a moon, rendered in mother of pearl and abalone.
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It’s almost a certainty that you’ve heard a mid-1960’s Epiphone FT-79 Texan – Paul McCartney used his on the recording of ‘Yesterday’, which appeared on the 1965 Beatles album ‘Help!” and as a single; and on the tune ‘Blackbird’, on the Beatles’ White Album.
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Between 1968 and 1972, Marshall built a number of ‘combo’ style amplifiers, where the amp and speakers are in one cabinet. This 1972 Marshall Model 1958 2×10 Combo features four inputs on two channels; channel 2 has a vibrato circuit.
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Made circa 1900, this Williams and Son Echo Style 17 banjo still plays beautifully. Thrilling to play a 100 year old instrument that still plays as it did when new.
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The Mesa Boogie Mark III combo added a third ‘crunch’ channel to the Boogie’s standard rhythm and lead channels. The controls are generally shared between channels as is the switchable EQ.
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This specific 1999 Schoenberg Soloist OM was built by at Martin Dana Bourgeois before he launched his own shop and label. It is built with an Adirondack Spruce top, Brazilian rosewood back,sides and headplate, mahogany neck, with snowflake-inlaid ebony for the fingerboard and pyramid style bridge.
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